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  • Paolo Sodi - Backstage Pratomagno

  • Red Lock | Sarah Tang Braden

  • 50th Earth Day Italy - Paolo Sodi

  • Phillip Baribeau

  • Red Lock in action

  • Red Lock tripod first look

  • Paolo Sodi in Camargue with Focus 22

  • BTS Ivan D'Antonio - JIBO

  • Luca

  • A CARTONI Tripods Factory Tour

  • Chris

  • Beatrice

  • Stags in Denmark

  • SDS, Speed & Versatility

  • Filming with Geko in Africa

  • Focus 8 SDS system

  • Focus 22 & SDS Tripod system review

  • Maxima 30

  • NAB Show 2017 - Teradek TV

  • Jibo setup

  • SDS Systems presentation at NAB 2017

  • Maxima on the set

  • Alessandro

  • Fabrizio

  • Gianni

  • Giuseppe

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  • Focus HD on a canoe

  • Documentario Guido Cartoni ITA

  • Documentary Guido Cartoni ENG

  • Smarthead in action

  • LAMBDA 25 optical center alignment

  • Total Dutch setup

  • Lambda 25 setup

  • Lambda 25 Third Axis setup

  • Lambda 50 third axis mounting

  • Lambda 50 mounting

  • Pedestal P90

  • How to balance a Fluid Head: Focus HD

  • How to balance a Fluid Head: MAXIMA

  • Geko Car Support

  • CINEC 2016 with Elisabetta Cartoni

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  • Joe Shackleford
    Sweetwater Digital

    …CARTONI GAMMA, DELTA, MASTER, SIGMA, OMEGA and P50 Pedestals over the years always delivered top performance; and, last but not least, the after sales service at CARTONI is unsurpassed.

  • Rodney Charters
    ASC/CSC

    …My operators on “24” Guy Skinner on A when he is not HH on his Starglider uses the CARTONI GAMMA for those demanding shots with an 11 to 1  while Jay Herron on B mounts the GAMMA with the 3 to 1 every day.  I am extremely happy  with the GAMMA for my RED system.

  • Nigel Cooper
    DVuser.com

    …I can guarantee that if you buy any model of CARTONI  tripod, you will receive the best after-sales service ever.

  • Bruce DeAragon
    1st camera assistant

    …My SIGMA has withstood the continual daily abuse on “24” series, from pilot through season 4 without fatigue.

  • Jay Herron
    SOC

    …CARTONI is seriously the leader in camera support and make the best fluid heads in the industry

  • Tommy Mack
    Sales Manager - EVS, Inc.

    …From broadcast & HDV to tripped-out Red Cameras, with prompters, matteboxes & souped-up Redrock Micro kits, CARTONI DELTA ROSSO does them all with a solid finesse usually reserved for tripods three times the price.

  • Nancy Schreiber
    ASC

    …The CARTONI LASER is quite  sturdy and well designed, even though it is small and lightweight. I was particularly impressed with the control I had over both the tilt and pan drag, with  a full  range of tension settings. This allowed for very smooth and precise moves which were challenging to execute on  many tripod heads made for small cameras in the past .This puts the LASER  a giant  step above other heads that are similar in size and price

  • John Sharpe
    “24” - Key First

    …The LAMBDA is quick to set up and balance. It affords feature shots at a television pace

  • Guy Skinner
    “24” – “A” Camera Operator

    …Precision, Flexibility & Simplicity, The CARTONI LAMBDA is fast and easy to set up. It operates with comfort, grace and can be positioned and maneuvered in a multitude of ways

  • Danys Bruyère
    Groupe TSF, Paris – France

    …As a rental company, service is very important for us. Our CARTONI Heads have had virtually no service issues in a long time of use and abuse, the MAXIMA is very rugged, though gentle, our clients love the smooth linear damping and prefer it to the step by step system for precise movements.

  • Colt Seman
    DOP, Director, Producer

    “Lambda is a tool that has its place, no other system in the world works as easily and perfectly. Shots can be designed and shaped better because of the that system.”

  • Frank Lozano
    Photographer, Director, Producer

    A couple of years ago, Frank finally got a&nbsp;Cartoni&nbsp;from Band Pro in Burbank, and after using it the first day, he was sold on it. &ldquo;With all the money I spent on inferior tripods, I could have purchased several&nbsp;Cartonis,&rdquo; he says.<br /> &nbsp;&ldquo;If I had just invested sooner, I would have saved myself tons of frustration with shots I didn&rsquo;t like or could not use because the sticks were cheap,&rdquo; says Frank. &ldquo;It is so nice to shoot with a tripod that is solid, steady, and reliable.&rdquo;

  • Bill Brady
    Alford Media Services, Inc.

    ...It is very important for us to have sturdy and reliable equipment.&nbsp; The CARTONI DELTA and C40S Fluid Heads and Tripods give us a lot of bang for our buck. We&rsquo;re very happy with these products and would recommend them to anyone.

  • Darrell Wenhardt
    President of CBT Systems

    &ldquo;We had a history with CARTONI from our previous success with YouTube Production Studios in New York and Los Angeles, where we have both the large&nbsp;P-90 Pedestals&nbsp;and the smaller&nbsp;P-20 Pedestals.&nbsp; We chose CARTONI for two reasons: one is because of the high quality and reliability of the equipment, and number two is because of the incredible service.&rdquo;

  • Bob Wyatt
    Director of Engineering - KSPS-TV

    &hellip;KSPS couldn&#39;t be more pleased with the purchase of our CARTONI Heads and Pedestals for our Studio conversion to HD.&nbsp; The support and service provided by CARTONI after the purchase has been excellent.&nbsp; Our camera operators find the ease of adjusting the heads for individual preferences to be a pleasant surprise

  • Chris Clark
    Engineering Manager at Racetech, UK

    &ldquo;After extensive field testing, we found the Cartoni products to be a perfect choice. In this application, we need gear that is robust, and performs reliably and consistently. We found the Cartoni products matched our needs in this respect and were capable of supporting a variety of camera combinations, including our 107x 4K Fuji lenses,&rdquo;

  • Matthew Oakes
    Cameraman with RaceTech, UK with over 30 years experience

    &ldquo;Found Cartoni kit to be extremely robust, well-made and exceptionally smooth in operation. After a considerable number of years working in outside broadcast using fluid heads I can say that once the set up is correct the heads are extremely smooth and very nice to use, they are a great addition to an outside broadcast company&rdquo;

  • Eric Fletcher
    SOC

    This technology is in use on the majority of productions. The LAMBDA engineering is superb supporting the Camera Operator with ease of use, quality of design and producing superior on screen results.

  • Mark Irwin
    CSC/ASC

    ...I have been using the CARTONI SIGMA exclusively for 3 years and I find it to be the most consistent in every situation. With fast action or slow dramatic moves, the pan, tilt and especially counterbalance response is perfect .The convenience and accuracy of the digital readouts is a real bonus on set when conditions change but the biggest plus is the solid, repeatable behavior of the tilt and counterbalance combination. When we&nbsp; change lenses or magazines, I can enter a predetermined setting and just get on with the shot - no need to fuss with dials and cranks. Keep on designing heads like these !&nbsp;

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